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Flickin' with Brad

The Big Shot

The latest Studio 2000 release is The Big Shot, the love story of Clay Maverick and Michael Crawford, a hot young model and a photographer, two young guys in their mid-twenties who come together again after having been friends in high school. The intervening years have changed and matured them both-Clay from an ugly duckling and class nerd to a stunning and very self-possessed young man and Michael from a self-centered user to a sensitive and over-cautious man afraid of his own feelings and emotions. But it seems that the more they have changed, the more they remain the same. Maybe first love isn't just for puppies. Maybe it can be the real thing.

Enriching the feast of rediscovery and renewal of love are a series of sexual adventures that are not only the meat but also the spice and relish as well.

Michael visits some old high school buddies, handsome and macho Dino DiMarco, handsome, charming and devilsh Wade Peters and handsome, seductive and sly Tony West, and shows them photos of the new Clay. They are mightily impressed with the hot stud who emerged from the nerdy cocoon but, after Michael and the photos leave, they decide that two in the hand is a lot better than one on paper as they get down in a threeway that is a rarity of the genre.

Clay returns from school one day and finds Gregg getting it on with a stranger. Again. He blames himself-he doesn't give Gregg enough time. But he's crushed and the hurt is deep. He leaves and drops by Michael's to look at the results of the photo shoot that opened the film. He shares his pain with Michael and Michael shares with Clay the story of his failed marriage and of his coming out with a baseball player he met while working. As Michael talks we flash back to that relationship-fair Michael and Latin Tony-two men discovering each other physically, sexually and emotionally in a scene that moves from tender and tentative to passionate and demanding.

It is only to be a season of love as Tony was traded to a team back East and their love can't go the distance. Michael still shoots the games but he stays out of the locker rooms. Michael invites Clay to join him at a game and as they are about to leave, they make a date for the next day to test Michael's new camera. The camera is tested and both men go beyond the limits that they have set for themselves. For love allows no limits. This they discover in a powerful scene of mutual committment, taking each other to new levels of pleasure-and to The Big Shot. To order, write: Studio 2000, 7510 Sunset Blvd, Ste. 1437, Los Angeles, Ca. 90046; or call 800.435.2445.

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